Lesson Two - Marriage and Family

The Evolution of Television Families

Whether you grew up watching the Cleavers, the Waltons, the Huxtables, or the Simpsons, most of the iconic families you saw in television sitcoms included a father, a mother, and children cavorting under the same roof while comedy ensued. The 1960s was the height of the suburban American nuclear family on television with shows such as The Donna Reed Show and Father Knows Best. While some shows of this era portrayed single parents (My Three Sons and Bonanza, for instance), the single status almost always resulted from being widowed, not divorced or unwed.

Although family dynamics in real North American homes were changing, the expectations for families portrayed on television were not. North America’s first reality show, An American Family (which aired on PBS in 1973) chronicled Bill and Pat Loud and their children as a “typical” American family. Cameras documented the typical coming and going of daily family life in true cinéma-vérité style. During the series, the oldest son, Lance, announced to the family that he was gay, and at the series’ conclusion, Bill and Pat decided to divorce. Although the Loud’s union was among the 30 percent of marriages that ended in divorce in 1973, the family was featured on the cover of the March 12 issue of Newsweek with the title “The Broken Family” (Ruoff 2002).

Less traditional family structures in sitcoms gained popularity in the 1980s with shows such as Diff’rent Strokes (a widowed man with two adopted African American sons) and One Day at a Time (a divorced woman with two teenage daughters). Still, traditional families such as those in Family Ties and The Cosby Show dominated the ratings. The late 1980s and the 1990s saw the introduction of the dysfunctional family. Shows such as Roseanne, Married with Children, and The Simpsons portrayed traditional nuclear families, but in a much less flattering light than those from the 1960s did (Museum of Broadcast Communications 2011).

Over the past 10 years, the nontraditional family has become somewhat of a tradition in television. While most situation comedies focus on single men and women without children, those that do portray families often stray from the classic structure: they include unmarried and divorced parents, adopted children, gay couples, and multigenerational households. Even those that do feature traditional family structures may show less traditional characters in supporting roles, such as the brothers in the highly rated shows Everybody Loves Raymond and Two and Half Men. Even wildly popular children’s programs as Disney’s Hannah Montana and The Suite Life of Zack & Cody feature single parents.

In 2009, ABC premiered an intensely nontraditional family with the broadcast of Modern Family. The show follows an extended family that includes a divorced and remarried father with one stepchild, and his biological adult children—one of who is in a traditional two-parent household, and the other who is a gay man in a committed relationship raising an adopted daughter. While this dynamic may be more complicated than the typical “modern” family, its elements may resonate with many of today’s viewers. “The families on the shows aren’t as idealistic, but they remain relatable,” states television critic Maureen Ryan. “The most successful shows, comedies especially, have families that you can look at and see parts of your family in them” (Respers France 2010).